Monday, 31 October 2016

INTERVIEW | EMILIE DELALANDE







Sydney-based interior designer Emilie Delalande managed quite a coup for the first major interior project under the banner of her new studio, Studio Etic. She was given the opportunity to create the design for fashion designer Lee Mathews’ latest store in Armadale, Victoria. However, while her studio was new, Emilie had plenty of experience to draw upon. After moving to Australia from Paris in 2009, she was a designer at Akin Creative for six years and worked on hospitality projects for Merivale, such as the Coogee Pavilion and The Paddington. Emilie also studied set design and interior architecture in Paris and graduated with a Bachelor degree in design - interior design. “I have been interested in architecture and interior design for as long as I can remember,” she says. “As a little girl, I would draw up plans of my future house or build cabins in the garden when I was bored. Growing up in an old farm has certainly played a major role in my appreciation for design and craftsmanship.”

Which five words best describe you? Calm, patient, loyal, attentive and honest. 

How did you get your career start and what path have you taken since? My career started with a valuable internship opportunity in Paris with Jacques Grange. It was only a short time but it led me where I am now and made a big impact on my career. I remember it to be quite a traditional way of working where plans and elevations were drawn by hand. There was a real feeling that the interior designer was not working in isolation but was part of a team which included, clients, builders, suppliers, etc. This idea is the cornerstone of my practice today. 

What’s the best lesson you’ve learnt along the way? Stay open, positive and focused. 

What’s your proudest career achievement? Creating my own practice. The studio, Etic, takes its name from the anthropological term for cultural study; “emic” and “etic”. “Etic” is the practice of studying a society from an objective position. 

What’s been your best decision? Staying in Australia. I boarded a plane in Paris thinking that I would be back two months later. It was seven years ago. 

Who inspires you? Passionate people. No matter what they are passionate about. I see the spark in their eyes and I am captivated. 

What are you passionate about? Food, history, design, art and architecture. 

Which person, living or dead, would you most like to meet? Pierre Chareau who designed la Maison de verre in Paris.

What dream do you still want to fulfil? Use my skills to help people in need locally or globally. 

What are you reading? Thinking architecture by Peter Zumthor. It resonates deeply with my own experience. 


images courtesy of emilie delalande and photography sean fennessy




Monday, 24 October 2016

INTERVIEW | ROSS LAURIE






Australian artist Ross Laurie has been around the world - in the pursuit of art - but in the early 1990s he came full circle when he returned to his family farm in Walcha, NSW. It is from here that he paints the landscape of the property on a tract of land in the Northern Tablelands of NSW, between Tamworth and Armidale. While Ross paints, he also works on the sheep and cattle farm that has been in his family for a couple of generations. Ross studied at various art schools, starting off at the Sydney College of the Arts in 1982 and detouring at one point to St Matins School of Arts in London. He has had several solo shows in Sydney and Melbourne. His latest exhibition is on at King Street Gallery until November 5.

Which five words best describe you? I’m told I’m - Articulate, dedicated, impatient, interested, considered.
How did you get your career start and what path have you taken since? Art school in Sydney 1979 because of an interest in art history. Studied in the UK looked at painting in Europe and America. Still painting, still looking.
What’s the best lesson you’ve learnt along the way? Painting badly is just as important as painting well.
What’s your proudest career achievement? Still painting after 35 years and still excited to be in the studio.
What’s been your best decision? Marring my wife who saved me from myself.
Who inspires you? The whole history of Western painting and indigenous Australian painting.
What are you passionate about? Always the next show.
Which person, living or dead, would you most like to meet? Sonny Rollins.
What dream do you still want to fulfil? I would like to be a good painter.
What are you reading? John Berger.

images courtesy of ross laurie and king street gallery




Tuesday, 18 October 2016

INTERVIEW | KATE TUCKER







Once artist Kate Tucker stopped worrying about what others thought of her work, the response was immediate. “Other people saw something in it that spoke to them,” she says. The catalyst for the change in her mindset was becoming a mother six years ago. “After my son Jasper was born I started painting in a new, simpler way, which reflected the way my whole worldview had changed through becoming a mother,” she says.

However, it took a while for Kate to turn to painting. While she grew up in a home that encouraged creativity and tried various creative fields - from performing and music to multimedia design - nothing gelled until she went to art school. “I’ve always been interested in cross-disciplinary practice, so it came as a surprise to me that I found my way to painting,” Kate says. “But everything I’ve done before seems to make sense through the lens of painting, it gives all the creativity a focus.”

Kate was born and raised in Canberra before moving to Melbourne for university. She studied Multimedia Design at Swinburne University and worked in design until she did a graduate certificate in Visual Art at the Victorian College of the Arts followed by a Graduate Diploma in Visual Art. Kate held her first solo exhibition at c3 Contemporary Artspace in 2011, and became represented by Helen Gory Galerie and had her first exhibition with them in 2012. In the same year she was selected for the Archibald Prize for her portrait of Missy Higgins. Kate is exhibiting at Daine Singer in Melbourne until November 5 and will open a show at Galerie Pompom in Sydney on October 19.

Which five words best describe you? Better at describing with pictures!

How did you get your career start and what path have you taken since? I always wanted to be an artist, but I didn’t go straight to art school. I was partly scared of failing at or ruining something I loved, and partly motivated by the need to earn a living. I also didn’t feel like I had much to say yet. I worked as a designer for years, and gained many skills that I’ve brought with me to art. But something never felt right. Eventually I realised that my reasons for not being an artist were unsound. So I went to art school, and immediately felt like I’d found my home. I fell pregnant with my son after two years of study. He helped me stop overthinking things; I found a joy in painting I never had before. I had my first solo when he was nine months old and it sold out. It felt amazing to realise that I loved painting and that maybe people were going to be interested in what I made.

What’s the best lesson you’ve learnt along the way? Probably to say no, which takes a lot of confidence.

What’s your proudest career achievement? I find it hard to rank achievements, some things look amazing from the outside but actually don’t matter that much, other things don’t look like much but they change everything. I feel proud that I’ve been exhibiting for six years and had two kids and I’ve made something of every moment, and this is just the beginning.  

What’s been your best decision? At a certain point it felt necessary to shift the emphasis away from the final product and onto the process. You’ve got to try to find the right balance between the discipline required to develop a strong body of work and the spontaneity that keeps it interesting - for you, maybe also for the viewer. I had to consciously turn off the part of me that cared what other people thought. It wasn’t just liberating, it enabled me to clarify what I actually wanted to do, which made the work stronger.  

Who inspires you? My children. Also my husband, whose creativity is combined with a confidence and optimism that is a hugely beneficial influence on me. Also my whole family: I have struck it very lucky in that department. Also music, musicians, and too many visual artists to list. 

What are you passionate about? Nature, fairness, creativity.

Which person, living or dead, would you most like to meet? Probably David Attenborough, because he’s been my hero since I was a kid and that’s a hard thing to shake. And I think he has really changed the world. 

What dream do you still want to fulfil? I really am living my dream. I have been very lucky and I would like to do a lot more for the planet and for others less fortunate in the future.

What are you reading? I am currently “not reading” either of the books on my bedside table, but they are Thinking through Painting; Reflexivity and Agency beyond the Canvas by Isabelle Graw, Daniel Birnbaum and Nikolaus Hirsch, and On the Road by Jack Kerouac. 


images courtesy of kate tucker and daine singer




Monday, 10 October 2016

ILLUSTRATOR INGA CAMPBELL







While Inga Campbell studied graphic design and worked as an art director for leading Australian fashion magazines, she is becoming increasingly known for her illustration work. But it wasn’t until she made the decision to leave her role in publishing in Sydney and return to her hometown of Newcastle that she was able to explore new avenues through her business, Inkling Design. Most recently, she has embarked on a new adventure with her husband Mike Campbell and their four-year-old daughter, attempting to house and pet sit their way through North America for a year. “I just love travelling around, seeing this beautiful country, and feeding my creative passion all at once,” Inga says.

She was born and raised in Newcastle. “I had a fabulous childhood with very encouraging parents who constantly stimulated my creative brain with both travel and culture,” Inga says. She graduated from the University of Newcastle with a Bachelor of Design/Graphic Design. “From an early age I was constantly drawing,” Inga says. “I was also lucky that my father is an artist so I was encouraged and taken to many art galleries. I can remember as a kid being obsessed with the Brett Whiteley painting Summer At Carcoar and would always try to draw it myself. Drawing bought me happiness and still does.”

Which five words best describe you? Curious, minimal, creative, particular, caring.

How did you get your career start and what path have you taken since? While I was at university I did work experience at Girlfriend magazine. I loved every minute of it and when it was finished I knew I wanted to work in magazines. I worked my way through the design ranks from a junior to photo editor, deputy art director, advertising art director and art director. I worked for magazines including Girlfriend, Dolly, Cosmopolitan, Grazia, and White. When I relocated to Newcastle with my husband to start a family, I started my own design company, Inkling Design. 

What’s the best lesson you’ve learnt along the way? That less is more. It is not only the way I approach my design, but also the way I approach life.  

What’s your proudest career achievement? Having the guts to go out on my own and work for myself. It was a big leap and not always easy but something I am intensely proud of. It wasn’t a rash decision but something considered. I was working at building this while being in another role and then it just got to a point where I could no longer juggle both. That was the moment I knew I should be able to make it work. 

What’s been your best decision? Moving from Sydney to Newcastle. It was a difficult decision to make initially as my husband and I had great jobs that we both loved. I was Art Director of Grazia Magazine at the time and he was National Publicity Manager for Universal Music. But we just couldn’t afford to buy where we wanted to live in Sydney. Moving to Newcastle was the catalyst for me to start my design company, Inkling Design. I can’t imagine it any other way. Our mortgage was less than our monthly rent in Sydney and this freedom has allowed us to do so much more.

Who inspires you? Other female business owners, there is not a particular person but rather the many women who have taken the leap to do their own thing. I am a strong believer in women supporting women and not tearing each other down. I love nothing more than reading about other success stories and learning from their experiences. 

What are you passionate about? A balanced life. It is something that I have grown to really appreciate and I know I am at my best when my rhythm is balanced. I love my family, I love creating through my work, I love traveling, I love my friends and our home in Newcastle. There are so many beautiful and wonderful things I want in my life. And for me, 
it all comes down to finding that perfect balance. 

Which person, living or dead, would you most like to meet? Grace Coddington. I was in awe of her when I watched the documentary The September Issue. I then read her autobiography Grace: A Memoir and was even more impressed.

What dream do you still want to fulfil? My husband and I spent 12 month’s redesigning our life so we could embark on a family adventure for a year, attempting to house and pet sit our way through North America with our four-year-old daughter. At the time of writing this we are currently in Upstate New York. This year has been a dream for me, to be able to take my design company on the road and travel with my family. My future dream would be to take my studio on the road again, to travel to more places, for an extended period of time, and be immersed in the culture and community. Oh and more house drawings! 

What are you reading? A Walk In The Woods by Bill Bryson. I found it on the shelf of one of the houses I was staying in and loved it. The idea of going off grid and walking in nature really appeals to me so I loved reading this.


images courtesy of inga campbell


Tuesday, 4 October 2016

PHOTOGRAPHER CHRIS WALTERS








“My mother is an artist so I grew up in a household where working a creative profession was always a possibility,” says Sydney photographer Chris Walters. “Photography was never any less important than any other type of career so I was lucky to have been encouraged very early on.” By the age of 10 his mother, the artist Marilyn Walters, bought him his first camera, and after high school Chris studied Visual Arts at the University of Sydney. Since then he has worked for more than a decade as a commercial photographer for a range of advertising clients, including Mirvac, Nokia and the Mecure Hotel/Accor Group. “Photography is the only thing I’ve ever wanted to do,” he says. Over the past four years Chris has been working on a fine art photography project which culminated in the show Halcyon at Black Eye Gallery. He also runs a small media production company, Walters Media, with his business partner.

Which five words best describe you? Patient, ambitious, open-minded, calm and lucky!

How did you get your career start and what path have you taken since? I was very fortunate to have people around me that believed in me and supported me to go out on my own. I began working in a camera store part-time while completing small photography jobs at the beginning of my career. I would take on any job I could to get experience. I also assisted a fantastic advertising photographer Penny Clay whenever I could as it was great exposure to large-scale shoots with precision style capturing and briefs. Here I picked up quite a lot of skills which really helped me progress in my own commercial work.

What’s the best lesson you’ve learnt along the way? Always experiment. It is the best way to progress and hone your skills. With every job I do, I firstly complete the client brief as promptly and expertly as time allows, and then I try new things, experiment and think outside of the brief for a moment. I’m always surprised with what we create and so are my clients.

What’s your proudest career achievement? Probably my first solo show Halcyon at the Black Eye Gallery this year. It was great to finally see four and a half years of work culminate in a body of work that I am immensely proud.

What’s been your best decision? Convincing my wife to be my business partner. Since we joined forces the business and my career have moved forwards in leaps and bounds. Having that creative partnership with someone so close to me means that I get honest feedback. She is as critical, in a constructive way, as she is supportive which makes me a better photographer because I get to evaluate and deconstruct my work externally which pushes me to constantly grow and change.

Who inspires you? I take inspiration from everywhere, but musician Bon Iver (in particular, his second self-titled album), Nadav Kander, Claude Monet (especially his later more minimal works), Marilyn Walters (my mother, who is also an artist), and my friends who work in any kind of creative industry or are small business owners trying to carve their own way.

What are you passionate about? I’m passionate about art, travel and football (soccer, the one you use your feet for!). I’m crazy about football, just ask my wife. Creatively, I am constantly thinking about my next project and where in the world I need to go to create it or how I can convince someone else to go there and take me with them.

Which person, living or dead, would you most like to meet? I would love to meet some of the early game-changing artists of the early 1900s such as Marcel Duchamp or Salvador Dali. The ones who sat around together and theorised about what art is, the age old question. Artists who were actually changing and challenging the way we see the world and constantly pushing the boundaries of what art is.

What dream do you still want to fulfil? To travel the world full-time making images or professional footballer. I’d be happy with either.

What are you reading? At the moment I’m reading The Tipping Point by Malcolm Gladwell. Love the way he analyses the world, his podcast Revisionist History is so clever.


images courtesy of chris walters



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